When the leaders of Hollywood’s actors union announced a strike last week, the most fiery words spoken came from SAG-AFTRA President Fran Drescher, who drew thunderous applause when she berated movie studios executives for what she called unreasonable and insulting demands.
She decried the studios for “plead[ing] poverty, that they’re losing money left and right, when giving hundreds of millions of dollars to their CEOs.”
“It is disgusting. Shame on them. They stand on the wrong side of history at this very moment, ” Drescher, 65, said.
Drescher’s cutting words were backed by decades of Hollywood experience. She got her start in movies in the 1970s and has worked as an actor, writer and producer on dozens of projects. Here’s what to know about the actor and labor leader.
Franziska Krug/Getty Images for Marcel Remus
Where is Fran Drescher from?
Drescher was born in Queens, New York, in 1957, the second child of Morty and Sylvia Drescher, working-class Jewish parents who traced their lineage to Eastern Europe.
As young girl, Drescher dreamed of being an actor, as well as a politician, a writer and a hairdresser, she told Vanity Fair in an interview shortly after winning the SAG-AFTRA presidency.
Drescher attended Queens’ Hillcrest High School, where one of her classmates was comedian and actor Ray Romano (best known for the sitcom, “Everybody Loves Raymond.”) She graduated in 1975, having already met the man who would later become her husband, future actor, writer and producer Peter Marc Jacobson.
The couple married in 1978 and went on to collaborate on many creative projects. They divorced in 1999.
Fran Drescher on the set of The Nanny.
In what movies and shows has Drescher appeared?
In the 1980s, Drescher had small roles in films including “Saturday Night Fever” and the mockumentary “This is Spinal Tap,” in which she played a publicist for a heavy metal band. But her best-known role was playing the vivacious title character in the 1990s sitcom “The Nanny,” which she co-created with Jacobson.
In The Nanny, Drescher played Fran Fine, a working-class girl “with a face out of Vogue and a voice out of Queens” who stumbles into a job as a live-in nanny to a wealthy English widower’s three kids. The show debuted on CBS in 1993 and ran for six seasons, earning Drescher two Emmy and two Golden Globe nominations.
The show pitted Fran’s free-wheeling, spirited style against the uptight manners of her employers, with a dose of sentimentality thrown in. In one memorable episode and case of art imitating life, Fran refused to cross a picket line at a fancy dinner she was attending with her employer.
“My mother had three rules,” she said in the show. “Never make contact with a public toilet; never, ever, ever cross a picket line, what was the third one? Oh yeah—never wear musk oil to the zoo.”
The show “balanced edginess with heart,” the New York Times wrote in a 1994 review that also mentioned Drescher’s “hard work and the thickest Queens accent imaginable.”
Post-Nanny career
After Drescher and Jacobson divorced, they developed the TV Land series “Happily Divorced,” based on their marriage and friendship.
Drescher has also appeared on the series “Living with Fran” and supplied the voice of Eunice in the “Hotel Transylvania” animated films.
She is the author of two memoirs, “Enter Whining” and “Cancer Schmancer,” an account of her diagnosis and recovery from uterine cancer; she also founded a nonprofit focusing on cancer early detection and prevention.
Drescher served as a State Department public diplomacy envoy for health, a role in which she traveled the world to advocate for women’s health issues. She helped convince Congress in 2007 to pass the Gynecologic Cancer Education and Awareness Act.
VALERIE MACON/AFP via Getty Images
New career as an activist
Drescher became increasingly vocal online around 2017, decrying big business, oil drilling, pharmaceutical companies and the “ruling class” on Twitter. She described herself as “anti-capitalist” in a 2017 interview with Vulture, saying, “Once you really realize the global systemic problem is actually big-business greed, then you know really what you need to do.”
That activism culminated with Drescher’s winning what the BBC described as a “vicious election” against actor Matthew Modine in 2021 to become SAG’s president.
Drescher campaigned on ending what she called “dysfunctional division” within the union, telling Deadline during her campaign that “I see reunification as one great and powerful SAG-AFTRA body as the only way to frontline for empowering and protecting members.”
Since taking the helm at SAG-AFTRA she has worked to smooth over those rifts, the BBC reported, and has won over some formerly skeptical voices, including noted screenwriter David Simon.
“Just watched Fran Drescher chew the #AMPTP’s face off,” he wrote on Twitter. “After her credulous remarks in the run-up to today, I’ll confess I thought she was a lost ball in tall grass. But now, if I hadn’t cut the streaming service, I’d download all seasons of The Nanny.”
She has been a leading voice in support of the Writers Guild of America, whose 11,000 members went on strike in May, and has shown up on multiple picket lines. On Thursday, Drescher drew parallels between the actors’ concerns and changing conditions in other industries.
“What’s happening to us is happening across all fields of labor by means of when employers make Wall Street and greed their priority, and they forget about the essential contributors that make the machine run,” Drescher said.
She directed her closing words directly at studio bosses. “Share the wealth, because you cannot exist without us,” she said.
Some CBS News staff are SAG-AFTRA members. But they work under a different contract than the actors and are not affected by the strike.
