The boot camp that follows — which will surely serve as a source of inspiration for modern-day workout programs — proceeds in concert with preparation for potential war against a rival kingdom, the Oyo Empire, that has extorted tribute from the Dahomey for years. Nanisca, meanwhile, urges the king to depart from his participation in the slave trade, arguing that selling captured foes to the Europeans has created “a dark circle” as they increasingly intrude upon their lands.
Directed by Gina Prince-Bythewood (“Love & Basketball”), the sweeping contours of the story are, quite simply, a lot to digest, especially with the various subplots and Nanisca’s back story that gets tossed into the mix. (The script is by Dana Stevens, who shares story credit with actor Maria Bello.)
Shot in South Africa, the film helps bridge some of the expository gap by opening with a brutal action sequence, demonstrating just how fierce Nanisca and her loyal soldiers can be. It’s the first of several such encounters, and although the scenes are carefully shot to mitigate gore, the level of violence and form of warfare are such that the PG-13 rating seems questionably generous.
Nanisca worries that her warriors “do not know an evil is coming,” a tease for the pending battle against the Oyo. But “The Woman King” perhaps excels most in portraying this fascinating subculture given the time and place, playing like a celebration of African traditions while incorporating a decidedly modern tone, and still servicing the escapist demands of a Friday-night audience.
Prince-Bythewood has accomplished that last goal with brisk pacing and the sheer muscularity of the exercise, with a significant assist from Terence Blanchard’s epic score. With its heavily female and almost entirely Black cast, the movie could give a welcome boost to other projects that have historically struggled in terms of studio support.
Somehow, the film manages to feel like a throwback to the action movies of old while featuring people who were seldom allowed to occupy prominent roles back then. If the finish is a bit too busy to be as rousing as intended, by then, “The Woman King” has made the most of its formidable arsenal.
“The Woman King” premieres September 16 in US theaters. It’s rated PG-13.
